What’s on Your List?

Be passionate and bold. Always keep learning. You stop doing useful things if you don’t learn. So the last part to me is the key, especially if you have had some initial success. It becomes even more critical that you have the learning ‘bit’ always switched on.       –Satya Nadella

No, not “that” list … Not the “what I want for” list. I’m talking about the OTHER one–the one you make that holds all the things you want to do or learn or master. Whether you have it written down on paper or in your head, we all have one. My list continually grows, ebbs and flows. In fact, so do all my lists. I have at least two lists–one with things I want to learn and another with reminders. I don’t refer to either of these as my “bucket list.” That’s another one entirely.

Soft peach azalea blooms blended with lace curtains. The azalea image was taken in Magnolia Plantation, Charleston, SC. The lace curtain image was taken in Canada. Experimenting with the paring of unrelated images.

THE WORD LIST

I have one list with just words to keep me mindful. You can call this one THE REMINDER. This list has had one word at the top for the last three years. The word? INTENTION. I keep this word in my mind and bring it out when I’m photographing. Often, I find that asking myself what my intentions are in the field is helpful. It keeps me on track and focused. The other helpful word is OPEN. It’s easy to have the best intentions, but when the results don’t match, being open to something different is incredibly helpful. Another word that helps keep me sane and focused is PATIENCE. This one reminds me to be patient with the elements (like wind and light) and with myself. There are times when everything comes together smoothly and others when nothing seems to be working. Having or practicing patience can make a world of difference. There are more words, but those are my favorites.

THE OTHER LIST

So, what’s on that other list – the one that has that I want to learn or master? You can call this one THE LEARN AND GROW.” This list never ever gets shorter. One thing I know for sure is that there is never nothing to learn. When we stop learning or think we know it all, we stop growing. That is why this list will never end …

Blended images of Baptisia blooms. The background images is a portion of a motion blur of the same flowers.

Therefore, my favorite list keeps getting bigger and longer – even though I check things off now and then. Many different things land on this list, and there are many ways that it grows. For starters,everything on it begins with inspiration. I’m continually amazed at the creativity that abounds in all things from photography to art and beyond. Visual artistry in photography is an evolutionary process. It begins with a subject or an idea and an approach and incorporates an attitude of openness. The words “should” and “can’t” are not allowed in. Guiding light comes from words like, “what if” and “I wonder.” And the learning lessons come from trying and doing. So, back to the list … Here are just a few things I’ve been exploring more deeply.

Blending flower ruffles with rust. With this image, I pulled two completely unrelated images and played to see if there was something I could do in the blending of them that was pleasing to me.

Textures and Image Blending  – I’ve been watching what others do and am amazed and often in awe. I’ve been learning and practicing and exploring more of this in the last year and plan to keep moving forward. What I know is that I haven’t even tapped into more than the surface of potential in this area, but I am excited and inspired. A lot happens in the doing. It also helps tremendously to refuel with the knowledge and experience of others who have been digging deep in this area. When I ask myself, where can I go from here, the answer seems to be “anywhere you want.”

Teddy on my sister’s handmade blanket. Textures helped to hide a busy sofa background.

Lightbox WorkIf you love flowers like I do, it’s likely you may have seen the work that Harold Davis does with translucent flowers on a lightbox. I love it and am inspired to learn how to do it! This explains a recent purchase of a large, flat-panel lightbox. I haven’t had time to do much with this large one, but made a few attempts on a small one from the “slide-viewing” days.

Pink bloom on lightbox and interpreted with Topaz Impression, Van Gogh

I am eternally in love with flowers. And, I see tons of potential for creative interpretations with this tool. I plan to play, experiment, learn and master “the box” so I can open up even more levels of creativity in my work. As this happens, I will discover that there is more to learn. I am open and excited.

Focus Stacking – Now, this is a more technical technique that has its own level of potential in the macro world as well as the larger landscapes. Since one of my passions is macro and close-up photography, I see this as an area to study and practice more. And, while my style of macro is more “interpretive” and leans heavily toward selective and soft focus, there are subjects that simply “need” focus stacking to achieve the maximum level of depth of field. One thing I’ve learned, so far, with some of my spontaneous efforts is that one likely needs more slices of focus (more images) than one would think for the optimum results. I know. I’ve tried, and I’ve learned.

Close-up of fucshia and gold orchid with focus stacking (11 images) Lesson learned was that this subject could have used even more images in the stack.

WAITING IN THE WINGS LIST

Those things above are just three of the many things on my “Learn and Grow” list. Among other items that are waiting in the wings (or just not first in line) is to learn more about still life and working with black backgrounds. I’ve been playing with the black backgrounds more than I thought and lately had a race with light, black fabric and dahlias.

Dahlias cut and arranged on black fabric.

And as one who does not sleep much, night photography is on my list. Surprisingly, I feel the call to rekindle my relationship with my flash and will answer it this coming year. (I used to use it all the time in my macro work in the film days, then veered in the direction of diffusers, reflectors and flashlights. Time to revisit the other light possibilities.)

Another surprise to me is that I’m feeling the urge to equip myself with the proper tools to engage with the birds and wildlife. There are plenty of worthy subjects within a few hours of where I live. And even though I think the bears get the memo that I’m coming and hide on me, I plan to add some bigger glass to my bag. Perhaps, during one of my trips to the refuge, they will have missed the memo. And when that much longer lens gets in my bag, I’ll have no excuse to excuse myself from the party. (It’s been very easy to opt out ever since I sold my “big glass” 200-400mm lens to a bird photographer many moons ago. I wasn’t using it all that much and only periodically missed it.) Recent travels have inspired me to reconsider . . .

Egret preening at Chincoteague NWR, Virginia. Just one of a series across the channel. Paying attention to light and shadows and behavior.

I encourage you to examine your list. I find it helps to write things down. Then again, I love the thrill of the highlighter … you know, when you run it across an item on your list that indicates “complete”. I might have to color-code the highlighter system to indicate progress rather than completion. I’ll keep you posted on the highlighting.

What is on YOUR list? Get going! As Jim Clark would say, “You’re  burnin’ daylight!”

Doe and fawn at water’s edge at Lake Mattamuskeet NWR – interpreted with Topaz Impression.

Arrangement of male and female crab shells. Photographed near fish house, edited for black background in post.

Fall leaves caught in a stream and interpreted with texture, masking out portions of the leaves.

Wasp in Nest – A perfect candidate for focus stacking.

Dahlia and the Lightbox still life

A Look at the Journey: Coming of Age as a Photographer/Artist

All children are artists. The problem is how to remain an artist once he (or she) grows up.  —Picasso

The Painting_NLP7937

Yup. I did it. This masterpiece is my “first” painting, It clearly illustrates a lack of knowledge and limited passion in the process. We all start somewhere…

Here’s a picture I painted using another much more refined painting as my guide (I added the fish in weeds and the little heart). It’s not good, even though I had the assistance of a five-year old girl directing what to add and when to stop. So, because I painted this, am I now “a painter”? Absolutely not. I know very little about the art and physical craft of painting pictures. In truth, I know more about painting walls and furniture than painting works of art.

So, what would move me closer to being an artist or painter? How about learning the fundamentals of painting and art from those who know far more than I do? What type of canvas do I use, how do I prepare it, what kind of paints should I use, and why? What brushes? How much paint on those brushes? How do I mix colors, create relationships between shadows and light or show textures in two-dimensions? Without direction, guidance and lots of practice, my vision could easily be lost. (Refer to my first attempt at painting, done just for fun and with little vision.)

One of my favorite images as it might have been painted by Georgia O’Keeffe. (Thanks for the help, Topaz Impression!)

These same ideas apply equally well to photographers. It took a long time for me to be able to call myself “a photographer.” It took even longer for me to call myself an artist. It is a good feeling to be able to own and identify myself as a “visual artist”. It confirms for me an understanding of my craft and my vision, and that in my favorite images those two are one. Both are fluid and evolving. If either one becomes static (especially my vision), my growth as an artist or photographer stops.

In the beginning, when I bought my first “real” film camera, a Nikon N70, and two lenses, I knew how to load the film, look through the viewfinder, zoom the lens and press the shutter – not much more. As a result, I took pictures and relied on the camera and photo lab to help me capture things I saw and present them as I saw them. I got “lucky” sometimes, but more often the images fell short of speaking to what I saw and was responding to with the camera. I was armed with a vision, but lacked the technical knowledge to successfully capture with my camera. I needed to know more, but had not a clue as to how much more there was to learn. What I know, even now, is that there is never “nothing to learn.”

Morning Marsh Maple from 1998 captured on slide film at Hoot Hollow workshop with Joe and Mary Ann McDonald

Morning Marsh Maple slide from 1998 at Hoot Hollow workshop with Joe and Mary Ann McDonald

One of the many turning points for me as a photographer came in the summer of 1998. I gave myself a week-long photography workshop in Pennsylvania at Hoot Hollow with Joe and Mary Ann McDonald. I had that Nikon and two lenses, a flash I knew nothing about, and tripod with a head I hated. I drove ten hours to get there and was super excited to learn. That first night Joe said, “And, tonight we’re going to start with a metering exercise!” I cringed and wondered how small I could make myself before I was invisible. I had no clue. I heard comments about metering “here” and adding “+2/3” or there and setting at “-1.”  This confirmed that I was at the very beginning of my journey to becoming a photographer and artist. I thank Joe and Mary Ann for scaring me straight.

From that point in 1998, what did I do to build my skills and knowledge? I joined Carolinas Nature Photographers Association and North American Nature Photography Association in 1999, attended annual meetings and Summits wherever and whenever they were held. I met excellent photographers and some very fine people along the way – people who have become friends and mentors, inspirations and encouragers. I took advantage of every learning opportunity that came along, workshops, seminars, shooting opportunities. I went out and took pictures, not always good ones. In fact, many of the early pictures I took back then had “issues.” I can see them now and have learned from them.

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Slow vertical motion blur (in camera) at Carver’s Creek State Park highlighting fall color in the cypress trees.

WV Waterfall_7562

Whether you’re looking to express your vision in a landscape or single bloom, every ounce of knowledge you have in the craft will help you present it as you see and feel it.

I am “self-taught” in that I have no formal training in art or photography, and this is okay. In fact, at least one of my very favorite artists, Vincent van Gogh, did not go to art school. Education comes in all forms. I have learned from all the books I’ve read, all the music I’ve heard, all the art I’ve seen. I’ve learned from every person (including artists, photographers, musicians) I’ve ever met or spent time with. Every challenge and every moment of peace has taught me something. And those are the things that are infused in my art and temper my view of the world. The same is true for you.

Wasp in Nest_NLP4288

Sometimes, when people know you love the small and unusual, they will give you just the right material to work with.

What did I and we need to learn? There’s so much … lens choice, exposure, metering, composition, timing, lighting. And, now, in the digital age, there’s also post-processing and image management. Where do we start? Begin at the beginning, and it doesn’t start with “go out and buy a camera.” My first question would be, “Why?. Why do you want the camera?” Do you want to capture moments with family and friends or do you want to do more? Whatever the answer, it’s all good. The answer simply points you in the direction of what camera and how much you need to learn to do what you want to do well.

I grew up with parents whose favorite phrase seemed to be, “Go outside and find something to do.” I did, there was no negotiation in that regard. They also took us camping and encouraged our plundering the trails, gardens, woods and shorelines of nature. Here is where scenes and light would be stored in my memory. With my camera, I knew I wanted to do more than document. Without knowledge of the craft, I would forever be a picture taker and not the image maker I aspired to be. The tools would rule, and my vision would appear only when luck met chance upon release of the shutter. In those early days, I was not able to articulate vision. Yet, I wanted the images to say more than, “This is a (fill in the blank).” I wanted my work to say, “Look! Look at what I see and feel!” This is the path on which I have been walking and loving and sharing.

Soft Blooms_NLP6268

Freedom from “tack sharp” and creative tools like the Lensbaby open up more windows for expression.

From a creative, kindred spirit perspective, the person who helped unleash the artist in me was Nancy Rotenberg. We first met in a small add in the back pages of Outdoor Photographer magazine in 1999. I had already bought my first macro lens and was working to create images that captured what I saw and felt in the world of small. I had the vision, but it wasn’t coming through in my slides. One phone call and a weekend with her at the farm in Pennsylvania began a friendship. From there, my work began to reflect my vision more clearly. The gifts I received from my time with Nancy was inspiration, encouragement and permission to be the artist/photographer. Here again was another turning point. There are many others who have helped me grow. I am certain there will be many more.

Finding and going with your own flow . . . be a noticer and let yourself fly.

Finding and going with your own flow . . . be a noticer and let yourself fly.

To echo the questions from childhood road trips, “Am I there yet?” No way. As Robert Frost once wrote, there are “miles to go before I sleep.” There is so much more to see, experience, learn and even more to share. This journey of mine may have had a distinct beginning, but it is one that will not end until my time on earth is done. For that I am grateful.

What fun it is to move and play in a forest tree surrounded by wonderful green grasses.

What fun it is to move and play in a forest tree surrounded by wonderful green grasses.

And for those who are just beginning, might I offer some encouragement? There is a lot to learn along the way. Always will be, that part never ends. Don’t give up. There are images you will only make if you are willing to step out of your comfort zone. Be brave. Be patient with yourself. Be true. Aspire to be the best you, not another version of someone you admire. Your vision will become clear and unique to you. Let it be. Let it grow.

Learning new things, like long exposures, can give you tools to capture the beauty of decay and slow the waves in the ocean.

Learning new things, like long exposures, can give you tools to capture the beauty of decay and slow the waves in the ocean.