What’s on Your List?

Be passionate and bold. Always keep learning. You stop doing useful things if you don’t learn. So the last part to me is the key, especially if you have had some initial success. It becomes even more critical that you have the learning ‘bit’ always switched on.       –Satya Nadella

No, not “that” list … Not the “what I want for” list. I’m talking about the OTHER one–the one you make that holds all the things you want to do or learn or master. Whether you have it written down on paper or in your head, we all have one. My list continually grows, ebbs and flows. In fact, so do all my lists. I have at least two lists–one with things I want to learn and another with reminders. I don’t refer to either of these as my “bucket list.” That’s another one entirely.

Soft peach azalea blooms blended with lace curtains. The azalea image was taken in Magnolia Plantation, Charleston, SC. The lace curtain image was taken in Canada. Experimenting with the paring of unrelated images.

THE WORD LIST

I have one list with just words to keep me mindful. You can call this one THE REMINDER. This list has had one word at the top for the last three years. The word? INTENTION. I keep this word in my mind and bring it out when I’m photographing. Often, I find that asking myself what my intentions are in the field is helpful. It keeps me on track and focused. The other helpful word is OPEN. It’s easy to have the best intentions, but when the results don’t match, being open to something different is incredibly helpful. Another word that helps keep me sane and focused is PATIENCE. This one reminds me to be patient with the elements (like wind and light) and with myself. There are times when everything comes together smoothly and others when nothing seems to be working. Having or practicing patience can make a world of difference. There are more words, but those are my favorites.

THE OTHER LIST

So, what’s on that other list – the one that has that I want to learn or master? You can call this one THE LEARN AND GROW.” This list never ever gets shorter. One thing I know for sure is that there is never nothing to learn. When we stop learning or think we know it all, we stop growing. That is why this list will never end …

Blended images of Baptisia blooms. The background images is a portion of a motion blur of the same flowers.

Therefore, my favorite list keeps getting bigger and longer – even though I check things off now and then. Many different things land on this list, and there are many ways that it grows. For starters,everything on it begins with inspiration. I’m continually amazed at the creativity that abounds in all things from photography to art and beyond. Visual artistry in photography is an evolutionary process. It begins with a subject or an idea and an approach and incorporates an attitude of openness. The words “should” and “can’t” are not allowed in. Guiding light comes from words like, “what if” and “I wonder.” And the learning lessons come from trying and doing. So, back to the list … Here are just a few things I’ve been exploring more deeply.

Blending flower ruffles with rust. With this image, I pulled two completely unrelated images and played to see if there was something I could do in the blending of them that was pleasing to me.

Textures and Image Blending  – I’ve been watching what others do and am amazed and often in awe. I’ve been learning and practicing and exploring more of this in the last year and plan to keep moving forward. What I know is that I haven’t even tapped into more than the surface of potential in this area, but I am excited and inspired. A lot happens in the doing. It also helps tremendously to refuel with the knowledge and experience of others who have been digging deep in this area. When I ask myself, where can I go from here, the answer seems to be “anywhere you want.”

Teddy on my sister’s handmade blanket. Textures helped to hide a busy sofa background.

Lightbox WorkIf you love flowers like I do, it’s likely you may have seen the work that Harold Davis does with translucent flowers on a lightbox. I love it and am inspired to learn how to do it! This explains a recent purchase of a large, flat-panel lightbox. I haven’t had time to do much with this large one, but made a few attempts on a small one from the “slide-viewing” days.

Pink bloom on lightbox and interpreted with Topaz Impression, Van Gogh

I am eternally in love with flowers. And, I see tons of potential for creative interpretations with this tool. I plan to play, experiment, learn and master “the box” so I can open up even more levels of creativity in my work. As this happens, I will discover that there is more to learn. I am open and excited.

Focus Stacking – Now, this is a more technical technique that has its own level of potential in the macro world as well as the larger landscapes. Since one of my passions is macro and close-up photography, I see this as an area to study and practice more. And, while my style of macro is more “interpretive” and leans heavily toward selective and soft focus, there are subjects that simply “need” focus stacking to achieve the maximum level of depth of field. One thing I’ve learned, so far, with some of my spontaneous efforts is that one likely needs more slices of focus (more images) than one would think for the optimum results. I know. I’ve tried, and I’ve learned.

Close-up of fucshia and gold orchid with focus stacking (11 images) Lesson learned was that this subject could have used even more images in the stack.

WAITING IN THE WINGS LIST

Those things above are just three of the many things on my “Learn and Grow” list. Among other items that are waiting in the wings (or just not first in line) is to learn more about still life and working with black backgrounds. I’ve been playing with the black backgrounds more than I thought and lately had a race with light, black fabric and dahlias.

Dahlias cut and arranged on black fabric.

And as one who does not sleep much, night photography is on my list. Surprisingly, I feel the call to rekindle my relationship with my flash and will answer it this coming year. (I used to use it all the time in my macro work in the film days, then veered in the direction of diffusers, reflectors and flashlights. Time to revisit the other light possibilities.)

Another surprise to me is that I’m feeling the urge to equip myself with the proper tools to engage with the birds and wildlife. There are plenty of worthy subjects within a few hours of where I live. And even though I think the bears get the memo that I’m coming and hide on me, I plan to add some bigger glass to my bag. Perhaps, during one of my trips to the refuge, they will have missed the memo. And when that much longer lens gets in my bag, I’ll have no excuse to excuse myself from the party. (It’s been very easy to opt out ever since I sold my “big glass” 200-400mm lens to a bird photographer many moons ago. I wasn’t using it all that much and only periodically missed it.) Recent travels have inspired me to reconsider . . .

Egret preening at Chincoteague NWR, Virginia. Just one of a series across the channel. Paying attention to light and shadows and behavior.

I encourage you to examine your list. I find it helps to write things down. Then again, I love the thrill of the highlighter … you know, when you run it across an item on your list that indicates “complete”. I might have to color-code the highlighter system to indicate progress rather than completion. I’ll keep you posted on the highlighting.

What is on YOUR list? Get going! As Jim Clark would say, “You’re  burnin’ daylight!”

Doe and fawn at water’s edge at Lake Mattamuskeet NWR – interpreted with Topaz Impression.

Arrangement of male and female crab shells. Photographed near fish house, edited for black background in post.

Fall leaves caught in a stream and interpreted with texture, masking out portions of the leaves.

Wasp in Nest – A perfect candidate for focus stacking.

Dahlia and the Lightbox still life

Finding Your Pony

. . . And today’s digital shooters often seem to use the camera like a machine gun, reeling off a virtual movie roll of images and searching for the best frame at a later date, assuming that in the midst of all that manure, there’s got to be a pony somewhere.

‑ Bruce Barnbaum, The Essence of Photography

Yes, there are pink ponies with purple hair that sparkle with magic.

Yes, there are pink ponies with purple hair that sparkle with magic.

Remember when you were little and there were certain things you really, really, really wanted? Mostly, those things might have been a new bike, that special doll or latest game. Maybe, some of you even really, really, really wanted a pony of your own. If you’re young enough, perhaps a “My Little Pony” character would have been on your list. Not mine. I got the bike, hated dolls and spent most of my time outside finding things to do (per the directive of my mother).

Family vacations were all about camping, hiking, exploring cool places and my parents tolerating the car rides full of, “she’s touching me, breathing loud, and are we there yet” from us four sisters. It was on these long drives that I began to notice light on trees, reflections in water, billowy clouds and fantastic skies. At some point, I realized I wanted a camera to capture those drive-by moments. It took until my mid-thirties before I gave myself a “real” one. The pony I wanted were those moments on film and in print.

From the window seat, it was difficult to imagine any ponies to be found ... but resisted the urge to give up or "find them later."

From the window seat, it was difficult to imagine any ponies to be found … but I resisted the urge to give up or “find them later.” Describe this image in one word? “Terrible.” There are others, and they are not pretty. I did not even want to get out of the car. I planned to wait for my fellow photographer to be done so we could head back to the hotel and warm up.

For a long time, several years, I took lots of pictures looking for the pony… And while not movie reels, I did take a lot of pictures with very little knowledge and a whole lot of hope that something good would turn up. Sometimes, usually by luck or accident, I found those metaphorical ponies – the ones that live inside every successful image. They were elusive buggers, at least for me, until I set my mind to learn what I needed to know and the tools necessary to marry the vision with an image that matched the goal.

Lo and behold ... I found one!! Good thing I learned to put on my "noticers."

I couldn’t do it. I found myself unable to sit tight and wait in the car. Lo and behold … I found one!! Good thing I learned to put on my “noticers.”

There are times when I am incredibly thankful that I started my photographic journey when there were only rolls of film to contend with and either 24 or 36 frames of opportunity to either use wisely or to waste. That’s not to say that there were not bad pictures made in those days (or now), but the mistakes were not all wasted. The discipline of learning how to use the tools (camera, lenses, filters, etc.) was much clearer when every roll had a measurable cost of time and money. Back then, memories were not “free.”

And, what do you know? Found another one!

And, what do you know? Found another one!

It takes more than a pile of wood, a hammer and nails to build a house capable of withstanding a storm. Likewise, it takes more than a camera, bundles of lenses and filters to build images that can also withstand time. To create images that speak to your vision, that hold the viewer’s attention and evoke an emotional response, you need to start with the right tools, learn how to use them and work on refining your goals. It takes work, time and patience (with yourself and the tools of the craft). It takes thoughtfulness, meaning you want to think about what you’re seeing, what you like, what you don’t, and consider carefully what needs to be “in the box” and what doesn’t.

In the hunt for ponies, I discovered one of the hunted.

In the hunt for ponies, I discovered one of the hunted.

As you walk along sidewalks, trails, shorelines and pathways, put on your “noticers.” Put them on your eyes, your mind and on your heart. Know that there are times when the ponies run away. The light changes, the bird flies off, you don’t have the right lens to match your vision. And, sometimes, the pull of real life things clouds up your noticers, and they don’t work as well as you’d like them to. Don’t despair. Keep on. Steer clear of the “crap shoot”, the “spray and pray,” and the barrage you’ll end up wading through later. It can get very deep and daunting.

As a visual artist, you’ll find your very best ponies in the field, not on the computer. And very rarely, hardly ever, almost never will you find your best ponies from the window seat. You must step out. You must explore, take calculated risks, learn and try new things to grow. There are millions of wonderful ponies waiting . . . just for you! (And who knows, maybe some of them do have pink bodies, purple hair and sparkle.) Go on. You can do it!

There are those times when the search reveals "Beauty and the Beast."

There are those times when the search reveals “Beauty and the Beast” in the most unexpected places.

And other times when the discovery of metaphorical ponies is a matter of time and patience as they unfold.

And other times when the discovery of metaphorical ponies is a matter of time and patience as they unfold. Go find yours . . . they are waiting!